Home  ›  Falling in Love Again Free Piano Sheet Music by Nina Simone

Falling in Love Again Free Piano Sheet Music by Nina Simone

Written By mercredi 16 mars 2022 Add Comment Edit

American vocaliser and songwriter (1933–2003)

Nina Simone
Simone in 1965

Simone in 1965
Background information
Nascency proper name Eunice Kathleen Waymon
Built-in (1933-02-21)Feb 21, 1933
Tryon, Due north Carolina, U.S.
Died April 21, 2003(2003-04-21) (aged 70)
Carry-le-Rouet, France
Genres
  • R&B
  • jazz
  • blues
  • folk
  • soul
  • classical
  • gospel
Occupation(southward)
  • Vocalizer
  • songwriter
  • musician
  • arranger
  • composer
  • activist
Years active 1954–2002
Labels
  • Bethlehem
  • Colpix
  • Elektra
  • Philips
  • RCA Victor
  • CTI
  • Legacy
  • Verve
Website ninasimone.com

Musical artist

Eunice Kathleen Waymon (February 21, 1933 – Apr 21, 2003), known professionally every bit Nina Simone, was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned styles including classical, jazz, blues, folk, R&B, gospel and popular.

The 6th of 8 children born to a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist.[ane] With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City.[ii] She so applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where she was denied admission despite a well received audition,[3] which she attributed to racism. In 2003, merely days before her death, the Plant awarded her an honorary degree.[four]

To make a living, Simone started playing piano at a nightclub in Atlantic City. She inverse her name to "Nina Simone" to disguise herself from family members, having chosen to play "the devil'south music"[3] or so-called "cocktail piano". She was told in the nightclub that she would have to sing to her own accessory, which finer launched her career as a jazz vocalizer.[5] She went on to record more than xl albums between 1958 and 1974, making her debut with Little Girl Bluish. She had a striking single in the United states in 1958 with "I Loves You, Porgy".[1] Her musical way fused gospel and popular with classical music, in particular Johann Sebastian Bach,[6] and accompanied expressive, jazz-like singing in her contralto voice.[7] [8]

Biography [edit]

1933–1954: Early life [edit]

Simone was born on February 21, 1933, in Tryon, North Carolina. The 6th of eight children[9] in a poor family, she began playing piano at the age of three or 4; the get-go song she learned was "God Be With You, Till We See Again".[10] Demonstrating a talent with the piano, she performed at her local church. Her concert debut, a classical recital, was given when she was 12. Simone later said that during this functioning, her parents, who had taken seats in the front row, were forced to movement to the dorsum of the hall to make way for white people.[eleven] She said that she refused to play until her parents were moved back to the front,[12] [xiii] and that the incident contributed to her later on involvement in the ceremonious rights movement.[xiv] Simone'southward mother, Mary Kate Waymon (née Irvin, November twenty, 1901 – April 30, 2001),[fifteen] was a Methodist minister and a housemaid. Her begetter, Rev. John Devan Waymon (June 24, 1898 – Oct 23, 1972),[16] was a handyman who at one time owned a dry-cleaning business, just also suffered bouts of ill health. Simone's music instructor helped plant a special fund to pay for her education.[17] Subsequently, a local fund was set up to assist her connected teaching. With the help of this scholarship money, she was able to attend Allen Loftier Schoolhouse for Girls in Asheville, North Carolina.

After her graduation, Simone spent the summertime of 1950 at the Juilliard School equally a educatee of Carl Friedberg, preparing for an audition at the Curtis Institute of Music in Philadelphia.[xviii] Her application, withal, was denied. Simply iii of 72 applicants were accepted that yr,[19] but as her family unit had relocated to Philadelphia in the expectation of her entry to Curtis, the blow to her aspirations was particularly heavy. For the residual of her life, she suspected that her application had been denied because of racial prejudice, a charge the staff at Curtis have denied.[20] Discouraged, she took private piano lessons with Vladimir Sokoloff, a professor at Curtis, just never could re-apply due to the fact that at the time the Curtis establish did not accept students over 21. She took a job as a photographer'southward banana, just also establish piece of work equally an accompanist at Arlene Smith's vocal studio and taught piano from her dwelling in Philadelphia.[xviii]

1954–1959: Early success [edit]

In order to fund her individual lessons, Simone performed at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, New Jersey, whose owner insisted that she sing too as play the piano, which increased her income to $90 a week. In 1954, she adopted the stage proper name "Nina Simone". "Nina", derived from niña, was a nickname given to her by a boyfriend named Chico,[xviii] and "Simone" was taken from the French actress Simone Signoret, whom she had seen in the 1952 motion picture Casque d'Or.[21] Knowing her mother would not corroborate of playing "the Devil's music", she used her new phase name to remain undetected. Simone's mixture of jazz, blues, and classical music in her performances at the bar earned her a small but loyal fan base of operations.[22]

In 1958, she befriended and married Don Ross, a beatnik who worked every bit a fairground barker, but chop-chop regretted their marriage.[23] Playing in small clubs in the aforementioned year, she recorded George Gershwin'south "I Loves You, Porgy" (from Porgy and Bess), which she learned from a Billie Holiday album and performed equally a favor to a friend. It became her only Billboard top 20 success in the U.s.a., and her debut album Little Girl Blue followed in February 1959 on Bethlehem Records.[24] [25] [26] Because she had sold her rights outright for $3,000, Simone lost more than $1 million in royalties (notably for the 1980s re-release of her version of the jazz standard "My Infant Just Cares for Me") and never benefited financially from the album'south sales.[27]

1959–1964: Burgeoning popularity [edit]

Later the success of Little Girl Blue, Simone signed a contract with Colpix Records and recorded a multitude of studio and live albums. Colpix relinquished all creative control to her, including the selection of fabric that would be recorded, in exchange for her signing the contract with them. After the release of her live album Nina Simone at Boondocks Hall, Simone became a favorite performer in Greenwich Village.[28] By this fourth dimension, Simone performed popular music only to make money to keep her classical music studies, and was indifferent about having a recording contract. She kept this attitude toward the record industry for almost of her career.[29]

Simone married a New York police detective, Drew Stroud, in Dec 1961. In a few years he became her manager and the male parent of her daughter Lisa, simply afterwards he driveling Simone psychologically and physically.[3] [xxx] [31]

1964–1974: Civil Rights era [edit]

In 1964, Simone changed record distributors from Colpix, an American company, to the Dutch Philips Records, which meant a modify in the content of her recordings. She had ever included songs in her repertoire that drew on her African-American heritage, such as "Brown Babe" by Oscar Brown and "Zungo" by Michael Olatunji on her album Nina at the Village Gate in 1962. On her debut anthology for Philips, Nina Simone in Concert (1964), for the commencement time she addressed racial inequality in the Us in the vocal "Mississippi Goddam". This was her response to the June 12, 1963, murder of Medgar Evers and the September 15, 1963, bombing of the 16th Street Baptist Church in Birmingham, Alabama, that killed iv young black girls and partly blinded a fifth. She said that the song was "like throwing ten bullets dorsum at them", becoming 1 of many other protest songs written past Simone. The vocal was released as a unmarried, and it was boycotted in some[ vague ] southern states.[32] [33] Promotional copies were smashed past a Carolina radio station and returned to Philips.[34] She afterwards recalled how "Mississippi Goddam" was her "outset civil rights song" and that the song came to her "in a rush of fury, hatred and conclusion". The song challenged the conventionalities that race relations could change gradually and chosen for more immediate developments: "me and my people are but near due". It was a key moment in her path to Civil Rights activism.[35] "Old Jim Crow", on the same album, addressed the Jim Crow laws. After "Mississippi Goddam", a civil rights message was the norm in Simone's recordings and became part of her concerts. As her political activism rose, the rate of release of her music slowed.

Simone performed and spoke at civil rights meetings, such equally at the Selma to Montgomery marches.[36] Like Malcolm X, her neighbor in Mount Vernon, New York, she supported black nationalism and advocated violent revolution rather than Martin Luther King Jr.'southward not-violent approach.[37] She hoped that African Americans could use armed combat to form a split country, though she wrote in her autobiography that she and her family regarded all races as equal.

In 1967, Simone moved from Philips to RCA Victor. She sang "Backfire Blues" written by her friend, Harlem Renaissance leader Langston Hughes, on her kickoff RCA album, Nina Simone Sings the Blues (1967). On Silk & Soul (1967), she recorded Billy Taylor'southward "I Wish I Knew How It Would Feel to Exist Gratis" and "Turning Point". The album 'Nuff Said! (1968) contained live recordings from the Westbury Music Off-white of April 7, 1968, iii days after the bump-off of Martin Luther Rex Jr. She dedicated the performance to him and sang "Why? (The King of Love Is Dead)", a song written past her bass player, Gene Taylor.[38] In 1969, she performed at the Harlem Cultural Festival in Harlem'southward Mount Morris Park, immortalized in Questlove's 2021 documentary Summer of Soul.[39] [40]

Simone and Weldon Irvine turned the unfinished play To Be Young, Gifted and Black past Lorraine Hansberry into a ceremonious rights vocal of the aforementioned name. She credited her friend Hansberry with cultivating her social and political consciousness. She performed the song live on the album Black Gold (1970). A studio recording was released as a single, and renditions of the song take been recorded by Aretha Franklin (on her 1972 album Immature, Gifted and Blackness) and Donny Hathaway.[32] When reflecting on this catamenia, she wrote in her autobiography, "I felt more than alive then than I feel now because I was needed, and I could sing something to help my people".[41]

1974–1993: Afterward life [edit]

In an interview for Jet magazine, Simone stated that her controversial song "Mississippi Goddam" harmed her career. She claimed that the music manufacture punished her by boycotting her records.[42] Hurt and disappointed, Simone left the Usa in September 1970, flying to Barbados and expecting her husband and director (Andrew Stroud) to communicate with her when she had to perform again. However, Stroud interpreted Simone's sudden disappearance, and the fact that she had left behind her hymeneals ring, as an indication of her want for a divorce. As her manager, Stroud was in charge of Simone's income.

Simone at a concert in Morlaix, France, May 1982

When Simone returned to the United States, she learned that a warrant had been issued for her arrest for unpaid taxes (unpaid every bit a protest confronting her land'south involvement with the Vietnam War), and returned to Barbados to evade the authorities and prosecution.[43] Simone stayed in Barbados for quite some time, and had a lengthy affair with the Prime number Minister, Errol Barrow.[44] [45] A close friend, singer Miriam Makeba, then persuaded her to go to Republic of liberia. When Simone relocated, she abased her daughter Lisa in Mount Vernon.[46] Lisa somewhen reunited with Simone in Liberia, simply, according to Lisa, her mother was physically and mentally abusive.[47] The corruption was so unbearable that Lisa became suicidal and she moved back to New York to alive with her father Andrew Stroud.[46] [47] Simone recorded her last album for RCA, It Is Finished, in 1974, and did not make another record until 1978, when she was persuaded to become into the recording studio past CTI Records owner Creed Taylor. The result was the album Baltimore, which, while not a commercial success, was fairly well received critically and marked a quiet creative renaissance in Simone's recording output.[48] Her option of material retained its eclecticism, ranging from spiritual songs to Hall & Oates' "Rich Girl". Four years later, Simone recorded Fodder on My Wings on a French characterization, Studio Davout.

During the 1980s, Simone performed regularly at Ronnie Scott'south Jazz Gild in London, where she recorded the album Live at Ronnie Scott's in 1984. Although her early on-stage manner could exist somewhat haughty and aloof, in after years, Simone particularly seemed to bask engaging with her audiences sometimes, by recounting humorous anecdotes related to her career and music and by soliciting requests.[ citation needed ] By this fourth dimension she stayed everywhere and nowhere. She lived in Liberia, Barbados and Switzerland and eventually concluded up in Paris. At that place she regularly performed in a pocket-sized jazz lodge called Aux Trois Mailletz for relatively small financial advantage. The performances were sometimes brilliant and at other times Nina Simone gave up after fifteen minutes. Oftentimes she was too drunk to sing or play the piano properly. At other times she scolded the audience. The terminate of Nina Simone seemed in sight.[49] Managing director Raymond Gonzalez, guitarist Al Schackman and Gerrit de Bruin, a Dutch friend of hers, decided to intervene.

Hotel Belvoir Nijmegen, Netherlands. Apartment of Nina Simone was next to this building between 1988 and 1991

Simone moved to Nijmegen in the Netherlands in the spring of 1988. She had just scored a huge European hit with the song "My Baby But Cares for Me". Recorded by her for the commencement time in 1958, the song was used in a commercial for Chanel No. 5 perfume in Europe, leading to a re-release of the recording. This stormed to number four on the United kingdom's NME singles chart, giving Simone a cursory surge in popularity in the UK and elsewhere.[49]

In 1988 she bought an apartment next to the Belvoir Hotel with view of the Waalbrug and Ooijpolder, with the aid of her friend Gerrit de Bruin, who lived with his family a few corners abroad and kept an middle on her. The idea was to bring Simone to Nijmegen to relax and get dorsum on rail. A daily flagman, Jackie Hammond from London, was hired for her. She was known for her atmosphere and outbursts of aggression. Unfortunately, the tantrums followed her to Nijmegen. Simone was diagnosed with bipolar disorder past a friend of De Bruin, who prescribed Trilafon for her. Despite the miserable illness, information technology was mostly a happy fourth dimension for Simone in Nijmegen, where she could lead a fairly anonymous life. Only a few recognized her, but near Nijmegen people did not know who she was. Slowly but surely her life started to improve, and she was even able to make coin from the Chanel commercial subsequently a legal battle. In 1991 Nina Simone exchanged Nijmegen for the more than lively Amsterdam, where she lived for ii years with friends and Hammond.[l] [51]

1993–2003: Last years, illness and expiry [edit]

In 1993, Simone settled most Aix-en-Provence in southern France (Bouches-du-Rhône).[52] In the same year, her final album, A Single Adult female, was released. She variously contended that she married or had a dearest thing with a Tunisian around this time, but that their relationship ended because, "His family didn't want him to motion to French republic, and French republic didn't want him because he'due south a North African."[53] During a 1998 performance in Newark, she announced, "If you're going to come see me again, you've got to come to France, considering I am not coming back."[54] She suffered from chest cancer for several years before she died in her slumber at her home in Bear-le-Rouet (Bouches-du-Rhône), on April 21, 2003. Her Cosmic funeral service at the local parish was attended by singers Miriam Makeba and Patti LaBelle, poet Sonia Sanchez, actors Ossie Davis and Ruby Dee, and hundreds of others. Simone'due south ashes were scattered in several African countries. Her daughter Lisa Celeste Stroud is an actress and singer who took the stage name Simone, and who has appeared on Broadway in Aida.[55]

Activism [edit]

Influence [edit]

Simone's consciousness on the racial and social discourse was prompted past her friendship with black playwright Lorraine Hansberry.[56] Simone stated that during her conversations with Hansberry "nosotros never talked about men or wearing apparel. It was e'er Marx, Lenin and revolution – real girls' talk".[57] The influence of Hansberry planted the seed for the provocative social commentary that became an expectation in Simone's repertoire. One of Nina's more hopeful activism anthems, "To Be Young, Gifted and Black", was written with collaborator Weldon Irvine in the years following the playwright's passing, acquiring the title of 1 of Hansberry'south unpublished plays. Simone's social circles included notable black leftists such as James Baldwin, Stokely Carmichael and Langston Hughes: the lyrics of her song "Backlash Blues" were written by the latter.[57]

Beyond the civil rights movement [edit]

Simone's social commentary was non express to the civil rights movement; the song "Four Women" exposed the eurocentric appearance standards imposed on black women in America,[58] equally information technology explored the internalized dilemma of beauty that is experienced between four black women with pare tones ranging from light to dark. She explains in her autobiography I Put a Spell on You that the purpose of the song was to inspire blackness women to ascertain beauty and identity for themselves without the influence of societal impositions.[59] Chardine Taylor-Stone has noted that, beyond the politics of beauty, the song too describes the stereotypical roles that many black women have historically been restricted to: the mammy, the tragic mulatto, the sex worker and the angry blackness woman.[57]

Artistry [edit]

Simone standards [edit]

Throughout her career, Simone assembled a collection of songs that became standards in her repertoire. Some were songs that she wrote herself, while others were new arrangements of other standards, and others had been written peculiarly for the singer. Her starting time hitting song in America was her rendition of George Gershwin's "I Loves You, Porgy" (1958). It peaked at number xviii on the Billboard magazine Hot 100 chart.[60]

During that aforementioned period Simone recorded "My Baby But Cares for Me", which would become her biggest success years later, in 1987, after it was featured in a 1986 Chanel No. 5 perfume commercial.[61] A music video was also created by Aardman Studios.[62] Well-known songs from her Philips albums include "Don't Permit Me Be Misunderstood" on Broadway-Blues-Ballads (1964); "I Put a Spell on You", "Ne me quitte pas" (a rendition of a Jacques Brel vocal), and "Feeling Expert" on I Put a Spell On Yous (1965); and "Lilac Wine" and "Wild Is the Wind" on Wild is the Wind (1966).[63]

"Don't Allow Me Be Misunderstood" and her takes on "Feeling Good" and "Sinnerman" (Pastel Dejection, 1965) take remained popular in cover versions (near notably a version of the former song past The Animals), sample usage, and their use on soundtracks for various movies, tv set series, and video games. "Sinnerman" has been featured in the films The Reddish Pirate (1952), The Thomas Crown Affair (1999), High Crimes (2002), Cellular (2004), Déjà Vu (2006), Miami Vice (2006), Gold Door (2006), Inland Empire (2006), and Harriet (2019), equally well every bit in Tv set serial such as Homicide: Life on the Street (1998, "Sins of the Father"), Nash Bridges (2000, "Jackpot"), Scrubs (2001, "My Own Personal Jesus"), Boomtown (2003, "The Big Motion-picture show"), Person of Interest (2011, "Witness"), Shameless (2011, "Kidnap and Ransom"), Beloved/Detest (2011, "Episode 1"), Sherlock (2012, "The Reichenbach Autumn"), The Blacklist (2013, "The Freelancer"), Vinyl (2016, "The Noise"), Match (2017, "Favorite Son"), and The Umbrella Academy (2019, "Extra Ordinary"), and sampled past artists such every bit Talib Kweli (2003, "Get Past"), Timbaland (2007, "Oh Timbaland"), and Flying Lotus (2012, "Until the Quiet Comes"). The song "Don't Let Me Be Misunderstood" was sampled past Devo Springsteen on "Misunderstood" from Common's 2007 album Finding Forever, and by little-known producers Rodnae and Mousa for the song "Don't Get It" on Lil Wayne's 2008 album Tha Carter 3. "See-Line Woman" was sampled by Kanye West for "Bad News" on his album 808s & Heartbreak. The 1965 rendition of "Foreign Fruit", originally recorded by Billie Holiday, was sampled past Kanye Westward for "Blood on the Leaves" on his album Yeezus.

Simone'due south years at RCA-Victor spawned many singles and album tracks that were popular, peculiarly in Europe. In 1968, information technology was "Own't Got No, I Got Life", a medley from the musical Hair from the album 'Nuff Said! (1968) that became a surprise hit for Simone, reaching number 2 on the U.k. Singles Nautical chart and introducing her to a younger audience.[64] [65] In 2006, it returned to the United kingdom of great britain and northern ireland Top 30 in a remixed version past Groovefinder.

The following single, a rendition of the Bee Gees' "To Love Somebody", also reached the Britain Top 10 in 1969. "The House of the Rising Sun" was featured on Nina Simone Sings the Blues in 1967, but Simone had recorded the song in 1961 and it was featured on Nina at the Village Gate (1962).[66] [67]

Performance style [edit]

Simone'southward bearing and stage presence earned her the title "the High Priestess of Soul".[68] She was a pianist, singer and performer, "separately, and simultaneously."[30] As a composer and arranger, Simone moved from gospel to blues, jazz, and folk, and to numbers with European classical styling. Besides using Bach-way counterpoint, she called upon the particular virtuosity of the 19th-century Romantic piano repertoire—Chopin, Liszt, Rachmaninoff, and others. Jazz trumpeter Miles Davis spoke highly of Simone, deeply impressed by her ability to play three-part counterpoint (her 2 hands on the pianoforte and her voice each providing a separate just complementary melody line).[20] Onstage, she incorporated monologues and dialogues with the audience into the program, and often used silence as a musical chemical element.[69] Throughout most of her life and recording career she was accompanied by percussionist Leopoldo Fleming and guitarist and musical director Al Schackman.[seventy] She was known to pay close attention to the design and acoustics of each venue, tailoring her performances to individual venues.[20]

Simone was perceived equally a sometimes hard or unpredictable performer, occasionally hectoring the audition if she felt they were disrespectful. Schackman would try to calm Simone during these episodes, performing solo until she calmed offstage and returned to stop the engagement. Her early on experiences as a classical pianist had conditioned Simone to expect quiet attentive audiences, and her anger tended to flare up at nightclubs, lounges, or other locations where patrons were less attentive.[20] Schackman described her live appearances as striking or miss, either reaching heights of hypnotic brilliance or on the other paw mechanically playing a few songs and then abruptly catastrophe concerts early.

Critical reputation [edit]

Simone is regarded equally one of the most influential recording artists of 20th-century jazz, cabaret and R&B genres.[71] According to Rickey Vincent, she was a pioneering musician whose career was characterized by "fits of outrage and improvisational genius". Pointing to her composition of "Mississippi Goddam", Vincent said Simone broke the mold, having the courage every bit "an established black musical entertainer to pause from the norms of the manufacture and produce straight social commentary in her music during the early 1960s".[72]

In naming Simone the 29th-greatest vocalist of all time, Rolling Stone wrote that "her honey-coated, slightly adenoidal cry was ane of the virtually affecting voices of the civil rights movement", while making notation of her ability to "chugalug barroom blues, croon cabaret and explore jazz — sometimes all on a single record."[73] In the opinion of AllMusic's Marker Deming, she was "one of the virtually gifted vocalists of her generation, and also i of the nigh eclectic".[74] Creed Taylor, who annotated the liner notes for Simone'south 1978 Baltimore album, said the singer possessed a "magnificent intensity" that "turns everything—fifty-fifty the most elementary, mundane phrase or lyric—into a radiant, poetic message".[75] Jim Fusilli, music critic for The Wall Street Journal, writes that Simone's music is however relevant today: "it didn't adhere to ephemeral trends, it isn't a relic of a foretime era; her vocal delivery and technical skills as a pianist still dazzle; and her emotional performances accept a visceral impact."[76]

"She is loved or feared, adored or disliked", Maya Angelou wrote in 1970, "but few who have met her music or glimpsed her soul react with moderation".[77] Robert Christgau, who disliked Simone, wrote that her "penchant for the mundane renders her intensity as artificial every bit her mannered melismas and pronunciation (motility over, Inspector Clouseau) and the rote flatting of her vocal improvisations."[75] Regarding her piano playing, he dismissed Simone as a "middlebrow keyboard tickler ... whose histrionic rolls insert unconvincing emotion into a song".[78] He later attributed his by and large negative appraisement to Simone's consistent seriousness of mode, depressive tendencies, and classical groundwork.[79]

Mental health [edit]

Simone was diagnosed with bipolar disorder in the late 1980s.[80] She was known for her temper and outbursts of aggression.[81] In 1985, Simone fired a gun at a record company executive, whom she defendant of stealing royalties. Simone said she "tried to impale him" just "missed".[82] In 1995 while living in French republic, she shot and wounded her neighbor'due south son with an air gun after the boy'southward laughter disturbed her concentration and she perceived his response to her complaints equally racial insults;[83] [84] she was sentenced to 8 months in jail, which was suspended pending a psychiatric evaluation and handling.[20]

According to a biographer, Simone took medication from the mid-1960s onward, although this was supposedly just known to a minor grouping of intimates.[85] After her death the medication was confirmed as the anti-psychotic Trilafon, which Simone'southward friends and caretakers sometimes surreptitiously mixed into her nutrient when she refused to follow her treatment plan.[xx] This fact was kept out of public view until 2004 when a biography, Break Down and Let It All Out, written by Sylvia Hampton and David Nathan (of her UK fan club), was published posthumously.[86] Vocaliser-songwriter Janis Ian, a former friend of Simone's, related in her own autobiography, Society's Child: My Autobiography, 2 instances to illustrate Simone's volatility: 1 incident in which she forced a shoe store cashier at gunpoint to take dorsum a pair of sandals she'd already worn; and some other in which Simone demanded a royalty payment from Ian herself as an commutation for having recorded 1 of Ian'southward songs, and so ripped a pay telephone out of its wall when she was refused.[87]

Awards and recognition [edit]

Simone was the recipient of a Grammy Hall of Fame Laurels in 2000 for her interpretation of "I Loves You, Porgy." On Human Kindness Day 1974 in Washington, D.C., more than x,000 people paid tribute to Simone.[88] [89] Simone received 2 honorary degrees in music and humanities, from Amherst College and Malcolm X College.[90] [91] She preferred to exist called "Dr. Nina Simone" afterward these honors were bestowed upon her.[92] She was inducted into the Rock and Roll Hall of Fame in 2018.[93]

Two days before her death, Simone learned she would be awarded an honorary degree by the Curtis Constitute of Music, the music school that had refused to acknowledge her as a student at the beginning of her career.[4]

Simone has received four career Grammy Award nominations,[94] 2 during her lifetime and 2 posthumously. In 1968, she received her first nomination for Best Female R&B Vocal Performance for the rail "(You'll) Go to Hell" from her thirteenth album Silk & Soul (1967). The laurels went to "Respect" past Aretha Franklin.

Simone garnered a second nomination in the category in 1971, for her Black Gold album, when she once more lost to Franklin for "Don't Play That Song (You lot Lied)". Franklin would once more win for her cover of Simone's "Young, Gifted and Black" two years later in the same category. In 2016, Simone posthumously received a nomination for Best Music Film for the Netflix documentary What Happened, Miss Simone? and in 2018 she received a nomination for All-time Rap Vocal as a songwriter for Jay-Z's "The Story of O.J." from his 4:44 album which contained a sample of "Four Women" by Simone.

In 2018, Simone was inducted into the Stone and Gyre Hall of Fame[95] past fellow R&B creative person Mary J. Blige.[96]

In 2019, "Mississippi Goddam" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically pregnant".[97]

Legacy and influence [edit]

Music [edit]

Musicians who accept cited Simone as important for their ain musical upbringing include Elton John (who named one of his pianos later her), Madonna, Aretha Franklin, Adele, David Bowie, Patti LaBelle, Boy George, Emeli Sandé, Antony and the Johnsons, Dianne Reeves, Sade, Janis Joplin, Nick Cave, Van Morrison, Christina Aguilera, Elkie Brooks, Talib Kweli, Mos Def, Kanye West, Lena Horne, Bono, John Fable, Elizabeth Fraser, Cat Stevens, Anna Calvi, Cat Power, Lykke Li, Peter Gabriel, Justin Hayward, Maynard James Keenan, Cedric Bixler-Zavala, Mary J. Blige, Fantasia Barrino, Michael Gira, Angela McCluskey, Lauryn Loma, Patrice Babatunde, Alicia Keys, Alex Turner, Lana Del Rey, Hozier, Matt Bellamy, Ian MacKaye, Kerry Brothers, Jr., Krucial, Amanda Palmer, Steve Adey and Jeff Buckley.[32] [98] [99] [100] [101] [102] John Lennon cited Simone's version of "I Put a Spell on You" as a source of inspiration for the Beatles' song "Michelle".[102] American singer Meshell Ndegeocello released her own tribute album Cascade une Âme Souveraine: A Dedication to Nina Simone in 2012. The following year, experimental band Xiu Xiu released a embrace album, Nina. In belatedly 2019, American rapper Wale released an album titled Wow... That'southward Crazy, containing a track chosen "Dearest Me Nina/Semiautomatic" which contains audio clips from Simone.

Simone's music has been featured in soundtracks of various motility pictures and video games, including La Femme Nikita (1990), Point of No Return (1993), Shallow Grave (1994), The Big Lebowski (1998), Any Given Sun (1999), The Thomas Crown Affair (1999), Disappearing Acts (2000), Half-dozen Anxiety Nether (2001), The Dancer Upstairs (2002), Before Sunset (2004), Cellular (2004), Inland Empire (2006), Miami Vice (2006), Sex and the City (2008), The World Unseen (2008), Revolutionary Route (2008), Home (2008), Watchmen (2009), The Saboteur (2009), Repo Men (2010), Beyond the Lights (2014), and "Nobody" (2021). Frequently her music is used in remixes, commercials, and TV series including "Feeling Good", which featured prominently in the Season Iv Promo of Six Feet Under (2004). Simone's "Take Care of Business organization" is the endmost theme of The Human from U.N.C.Fifty.Eastward. (2015), Simone's comprehend of Janis Ian's "Stars" is played during the final moments of the flavor iii finale of BoJack Horseman (2016), and "I Wish I Knew How It Would Experience to Be Free" and "Don't Allow Me Be Misunderstood" were included in the moving-picture show Acrimony (2018).

Film [edit]

The documentary Nina Simone: La légende (The Legend) was made in the 1990s past French filmmakers and based on her autobiography I Put a Spell on You. It features live footage from different periods of her career, interviews with family, diverse interviews with Simone and then living in the Netherlands, and while on a trip to her birthplace. A portion of footage from The Legend was taken from an earlier 26-minute biographical documentary by Peter Rodis, released in 1969 and entitled simply Nina. Her filmed 1976 performance at the Montreux Jazz Festival is available on video courtesy of Eagle Rock Entertainment and is screened annually in New York Urban center at an result chosen "The Rise and Fall of Nina Simone: Montreux, 1976" which is curated by Tom Edgeless.[103]

Footage of Simone singing "Mississippi Goddam" for 40,000 marchers at the stop of the Selma to Montgomery marches can exist seen in the 1970 documentary King: A Filmed Record... Montgomery to Memphis and the 2015 Liz Garbus documentary What Happened, Miss Simone? [3]

Plans for a Simone biographical film were released at the stop of 2005, to be based on Simone's autobiography I Put a Spell on You (1992) and to focus on her relationship in later life with her assistant, Clifton Henderson, who died in 2006; Simone's daughter, Lisa Simone Kelly, has since refuted the existence of a romantic relationship between Simone and Henderson on account of his homosexuality.[104] Cynthia Mort (screenwriter of Will & Grace and Roseanne), wrote the screenplay and directed the 2016 moving picture Nina, starring Zoe Saldana who has since openly apologized for taking the controversial title role.[105] [106] [107] [108]

In 2015, two documentary features about Simone's life and music were released. The get-go, directed by Liz Garbus, What Happened, Miss Simone? was produced in cooperation with Simone'south estate and her daughter, who also served as the movie's executive producer. The film was produced as a counterpoint to the unauthorized Cynthia Mort film (Nina, 2016), and featured previously unreleased archival footage. Information technology premiered at the Sundance Film Festival in January 2015 and was distributed by Netflix on June 26, 2015.[109] Information technology was nominated on January 14, 2016, for a 2016 University Award for Best Documentary Feature.[110]

The second documentary in 2015, The Amazing Nina Simone is an independent film written and directed by Jeff L. Lieberman, who initially consulted with Simone's girl, Lisa before going the independent road and so worked closely with Simone's siblings, predominantly Sam Waymon.[111] [112] The moving-picture show debuted in cinemas in October 2015, and has since played more than 100 theatres in ten countries.[113]

Drama [edit]

She is the subject of Nina: A Story Nigh Me and Nina Simone, a one-adult female testify first performed in 2016 at the Unity Theatre, Liverpool — a "securely personal and often searing show inspired by the singer and activist Nina Simone"[114] — and which in July 2017 ran at the Young Vic, before being scheduled to move to Edinburgh's Traverse Theatre.[115]

Books [edit]

As well as her 1992 autobiography I Put a Spell on You lot (1992), written with Stephen Cleary, Simone has been the discipline of several books. They include Nina Simone: Don't Permit Me Be Misunderstood (2002) by Richard Williams; Nina Simone: Break Down and Let It All Out (2004) by Sylvia Hampton and David Nathan; Princess Noire (2010) by Nadine Cohodas; Nina Simone (2004) by Kerry Acker; Nina Simone, Black is the Color (2005) by Andrew Stroud; and What Happened, Miss Simone? (2016) by Alan Light.

Simone inspired a volume of poesy, Me and Nina, by Monica Hand,[116] and is the focus of musician Warren Ellis'due south volume Nina Simone's Gum (2021).[117]

Honors [edit]

Nina Simonestraat in Nijmegen, Netherlands

In 2002, the city of Nijmegen, Netherlands, named a street afterwards her, equally "Nina Simone Street": she had lived in Nijmegen betwixt 1988 and 1990. On August 29, 2005, the city of Nijmegen, the De Vereeniging concert hall, and more than than 50 artists (amongst whom were Frank Boeijen, Rood Adeo, and Fay Claassen)[118] honored Simone with the tribute concert Greetings from Nijmegen.

Simone was inducted into the Due north Carolina Music Hall of Fame in 2009.[119]

In 2010, a statue in her honor was erected on Merchandise Street in her native Tryon, N Carolina.[120]

The promotion from the French Institute of Political Studies of Lille (Sciences Po Lille), due to obtain their master's degree in 2021, named themselves in her honour. The conclusion was made that this promotion was henceforth to exist known as 'la promotion Nina Simone' after a vote in 2017.[121]

Simone was inducted into the Rock and Roll Hall of Fame in 2018.[122]

The Proms paid a homage to Nina Simone in 2019, an event chosen Mississippi Goddamn was performed by The Metropole Orkest at Royal Albert Hall led past Jules Buckley. Ledisi, Lisa Fischer and Jazz Trio, LaSharVu provided vocals.[123] [124]

Discography [edit]

References [edit]

  1. ^ a b Simone & Cleary 2003, pp. 1–62
  2. ^ "Encyclopedia of Jazz Musicians – Nina Simone (Eunice Kathleen Waymon)". Jazz.com. Archived from the original on March 22, 2016. Retrieved October 28, 2013.
  3. ^ a b c d Liz Garbus, 2015 documentary motion picture, What Happened, Miss Simone?
  4. ^ a b "The Nina Simone Foundation". Archived from the original on June 19, 2008. Retrieved Dec 7, 2006.
  5. ^ Pierpont, Claudia Roth (August half-dozen, 2014). "A Raised Voice: How Nina Simone turned the move into music". The New Yorker. Archived from the original on Baronial half dozen, 2014. Retrieved August vi, 2014.
  6. ^ Simone & Cleary 2003, p. 23.
  7. ^ Simone & Cleary 2003, p. 91.
  8. ^ Simone & Cleary 2003, pp. 17–19
  9. ^ Cohodas 2010, p. 5
  10. ^ Cohodas 2010, p. sixteen
  11. ^ Cohodas 2010, p. 37
  12. ^ Simone & Cleary 2003, p. 26.
  13. ^ Hampton 2004, p. 15.
  14. ^ Shatz, Adam (March 10, 2016). "The Fierce Courage of Nina Simone". The New York Review of Books . Retrieved February 7, 2018.
  15. ^ "Mary Kate Irvin Waymon". Discover a Grave . Retrieved February 7, 2018.
  16. ^ "Rev John Devan Waymon (1898-1972)". Observe a Grave. Retrieved February vii, 2018.
  17. ^ Simone & Cleary 2003, p. 21.
  18. ^ a b c Light, Alan. "Episode three, What Happened, Miss Simone?, Book of the Week - BBC Radio 4". BBC . Retrieved March nine, 2017.
  19. ^ Peter Dobrin (Baronial xvi, 2015). "Curtis Plant and the case of Nina Simone". The Philadelphia Inquirer. Archived from the original on August 13, 2017.
  20. ^ a b c d eastward f Alan Light (2016). What Happened, Miss Simone? A Biography. Crown Archetype, ISBN 978-ane-101-90487-9
  21. ^ BarónALio-Lambert 2006, p. 56
  22. ^ Simone & Cleary 2003, pp. 48–52
  23. ^ "Nina Simone obituary". The Independent. London, United kingdom. April 23, 2003. Archived from the original on Feb 23, 2009.
  24. ^ "February Anthology Releases" (PDF). The Cash Box. The Cash Box Publishing Co. Inc., NY. February 14, 1959. Retrieved September 26, 2019.
  25. ^ Callahan, Mike; Edwards, David. "The Bethlehem Records Story". Both Sides Now Publications. Archived from the original on July 27, 2018. Retrieved September 26, 2019.
  26. ^ Popoff, Martin (2009). Goldmine Tape Album Cost Guide (6th ed.). London: Penguin. p. 2123. ISBN9781440229169.
  27. ^ Simone & Cleary 2003, p. sixty.
  28. ^ Dorian, Lynskey (2010). 33Revolutions Per Minute: A History of Protest Songs. London: Faber and Faber. p. 94. ISBN978-0-571-24134-seven.
  29. ^ Simone & Cleary 2003, p. 65
  30. ^ a b "L'hommage: Nina Simone Biography". Archived from the original on July 23, 2007. Retrieved Baronial fourteen, 2007.
  31. ^ "Andrew Stroud was lieutenant and director to Nina Simone (obituary)". The Riverdale Press. July 25, 2012. Retrieved Oct 25, 2020.
  32. ^ a b c Neal, Mark Anthony (June 4, 2003). "Nina Simone: She Cast a Spell — and Fabricated a Choice". SeeingBlack.com. Archived from the original on July 15, 2007. Retrieved August 14, 2007.
  33. ^ Simone & Cleary 2003, pp. xc–91.
  34. ^ Ford, Tanisha C., Liberated Threads: Black Women, Way, and the Global Politics of Soul, p. 86.
  35. ^ Feldstein, Ruth (2005). ""I Don't Trust You Anymore": Nina Simone, Civilisation, and Black Activism in the 1960s". The Periodical of American History. 91 (4): 1349–1379. doi:10.2307/3660176. JSTOR 3660176.
  36. ^ "The Nina Simone Database: Timeline". 2010. Retrieved July 5, 2010.
  37. ^ Simone & Cleary 2003.
  38. ^ Simone & Cleary 2003, pp. 114–115
  39. ^ Deggans, Eric (July 1, 2021). "'Summer Of Soul' Celebrates A 1969 Black Cultural Festival Eclipsed By Woodstock". NPR.org.
  40. ^ Greene, Bryan (June 2017). "Parks and Recreation: Harlem at a Crossroads in the Summer of '69". Poverty and Race Research Action Quango.
  41. ^ Cohodas 2010, p. 345
  42. ^ Visitor, Johnson Publishing (March 24, 1986). Jet. Johnson Publishing Visitor. mississippi goddam.
  43. ^ Simone & Cleary 2003, pp. 120–122
  44. ^ Simone & Cleary 2003, pp. 129–134
  45. ^ Brun-Lambert 2006, p. 231.
  46. ^ a b Lee, Christina (June 29, 2015). "10 Things We Learned From New Nina Simone Doc". Rolling Stone.
  47. ^ a b Daniels, Karu F. (June 24, 2015). "Nina Simone's daughter details pain and abuse in a Netflix documentary". New York Daily News.
  48. ^ Sunderland, Celeste (July one, 2005). "All about Jazz: review "Forage on My Wings" & "Baltimore"". Retrieved August five, 2007.
  49. ^ a b Alferink, Sonja (March/April 2015), "Diva in de polder", Sabrina Starke, pp. 110–115.
  50. ^ Schong, Peter (December 11, 2015). "Nina Simone in Nijmegen: toevluchtsoord aan de Waal". petesboogie.blogspot.com (in Dutch).
  51. ^ "Het Nijmeegse geluk van Nina Simone". De Gelderlander (in Dutch). August 13, 2010.
  52. ^ Fortuin, Fiona (November 27, 2015). "De Nederlandse jaren van Nina Simone ("The Dutch Years of Nina Simone")". Noisey (in Dutch). Retrieved Dec 15, 2018.
  53. ^ Sources:
    • Bardin, Brantley (1997). "Legend-with-an-attitude Nina Simone breaks her silence. And you'd better listen". Details (Interview). Retrieved March 4, 2020.
      Relevant remarks:
      Bardin: "Y'all've been married and divorced and had many romances. Do you lot withal get around?"
      Simone: "I had an intense love matter with a Tunisian boy last year, but I don't call up I want to go involved for a long time again considering he opened me upwardly like a volcano, and it virtually put me under."
    • Hotel Carlton, Tunis (June ii, 2018). "#hotelcarltontunis". Instagram . Retrieved March four, 2020. Nina Simone at the Carlton. Information technology was in 1994, Nina Simone had fallen in love with a Tunisian male child and spent a lot of time in Tunis, including the Carlton! The story ended badly and Nina told the press, 'I volition never autumn in dearest again.'
    • Hunter, Kim D. (2003). "Nina Simone: And She Meant Every Word of It!". Solidarity . Retrieved March iv, 2020. In her tardily sixties, she claimed to take a 'volcanic' dearest affair with a young Tunisian.
    • Archived at Ghostarchive and the Wayback Machine: Sebastian, Tim (1999). Nina Simone on BBC HARDtalk. Event occurs at four:45. Retrieved March iv, 2020.
      Relevant remarks:
      Sebastian: "Y'all've been married earlier."
      Simone: "I've been married twice."
      Sebastian: "Have you been unlucky at love?"
      Simone: "Yep—unlucky at marriages. Non so unlucky at love."
      Sebastian: "Lots of dear, few marriages?"
      Simone: "Yes, two marriages."
      Sebastian: "Why didn't they work out?"
      Simone: "The music got in the way in the one where I married the cop from the U.s. [Andrew Stroud]. The music got in the way, and he treated me like a horse. You know, a nonstop workaholic equus caballus. And the one in Tunisia—well, that was very hot, like a volcano. And his family unit didn't want him to movement to France, and France didn't want him because he's a N African."
      Sebastian: "And the volcano didn't terminal?"
      Simone: "No, but information technology lasted long enough for me to never forget it, I'll tell y'all that."
  54. ^ Cohodas 2010, p. 358
  55. ^ Frank, Jonathan. "Talking Broadway Seattle: Aida". Retrieved August 14, 2007.
  56. ^ Johnson, David Brent (June 24, 2015). "The High Priestess Of Soul: Nina Simone In 5 Songs". National Public Radio Jazz.
  57. ^ a b c Taylor-Stone, Chardine (April 21, 2021). "The Radical Politics of Nina Simone". Tribune . Retrieved May two, 2021.
  58. ^ Tsuruta, Dorothy Randall (1999). "I Ain't about to be Not-Violent, Beloved". The Black Scholar. 29 (2–3): 57. doi:x.1080/00064246.1999.11430963.
  59. ^ Simone & Cleary 2003, p. 117
  60. ^ "Nina Simone I Loves You, Porgy Chart History". Billboard . Retrieved February vii, 2018.
  61. ^ advertisement. Inside Chanel. Retrieved on Oct 28, 2013.
  62. ^ Boscarol, Mauro. "Nina Simone Web: My Babe Just Cares for Me". Archived from the original on November 16, 2006. Retrieved December vii, 2006.
  63. ^ Hampton 2004, pp. 196–202.
  64. ^ "Nina Simone". Official Charts Company. Retrieved February 16, 2021.
  65. ^ Hampton 2004, p. 47.
  66. ^ Boscarol, Mauro. "Nina Simone Web: House of the Rise Sun". Archived from the original on Nov 13, 2006. Retrieved Dec 7, 2006.
  67. ^ Hampton 2004, pp. 202–214.
  68. ^ Henley, Jon; Campbell, Duncan (April 22, 2003). "Nina Simone, loftier priestess of soul, dies anile 70". The Guardian. London.
  69. ^ Nupie, Roger. "Dr. Nina Simone: Biography". Archived from the original on June 24, 2013. Retrieved February 21, 2013.
  70. ^ Simone & Cleary 2003, pp. 58–59
  71. ^ Harrington, Katy (June 30, 2015). "'Gorgeous and complicated': the real Nina Simone". The Irish Times . Retrieved March 18, 2017.
  72. ^ Vincent, Rickey (2013). Party Music: The Within Story of the Black Panthers' Band and How Black Power Transformed Soul Music. Chicago Review Press. ISBN978-1613744956.
  73. ^ Anon. (December two, 2010). "100 Greatest Singers of All Time: Nina Simone". Rolling Stone . Retrieved March 18, 2017.
  74. ^ Deming, Mark (northward.d.). "Nina Simone". AllMusic . Retrieved March xviii, 2017.
  75. ^ a b Christgau, Robert (September 25, 1978). "Christgau's Consumer Guide". The Hamlet Voice . Retrieved March xviii, 2017.
  76. ^ Fusilli, Jim (June 23, 2015). "A Tribute to the Indelible Vox of Nina Simone". The Wall Street Journal . Retrieved October 12, 2017.
  77. ^ Lynskey, Dorian (June 22, 2015). "Nina Simone: 'Are y'all ready to burn buildings?'". The Guardian . Retrieved September three, 2018.
  78. ^ Christgau, Robert (April 1971). "Joy". The Village Voice . Retrieved March 18, 2017.
  79. ^ Christgau, Robert (September 18, 2018). "Xgau Sez". robertchristgau.com. Archived from the original on September 18, 2018. Retrieved September 18, 2018.
  80. ^ Higgins, Ria (June 24, 2007). "Best of Times Worst of Times Simone". The Times. London, Great britain. Retrieved May eight, 2010. (subscription required)
  81. ^ Brooks, D. A. (2011). "Nina Simone'due south Triple Play". Callaloo. 34 (i): 176–197. doi:x.1353/cal.2011.0036. S2CID 162697093.
  82. ^ Sebastian, Tim (March 25, 1999). "BBC Hard Talk: Putting Music Offset". BBC News . Retrieved December seven, 2006.
  83. ^ "BBC Obituary: Nina Simone". BBC News. Apr 21, 2003. Retrieved December vii, 2006.
  84. ^ Roth Pierpont, Claudia (August 4, 2014). "A Raised Voice". The New Yorker . Retrieved July 24, 2019.
  85. ^ Hampton 2004, pp. 9–13.
  86. ^ Busby, Margaret (April xvi, 2004). "Don't allow her be misunderstood". The Contained.
  87. ^ Ian, Janis (2008). Society's Child: My Autobiography. Penguin. pp. 246–247.
  88. ^ Hampton 2004, p. 85.
  89. ^ Kelly, John (Apr 25, 2005). "Answer Man: Kindness Turned Brutality". The Washington Post . Retrieved January v, 2007.
  90. ^ Kolodzey, Jody. "Remembering Nina Simone". Retrieved December 7, 2006.
  91. ^ "Amherst College Honorary Degree Recipients by Name". Amherst College. Retrieved December 13, 2017.
  92. ^ Hanson, Eric (2004). "A Diva'south Spell" (PDF). Williams Alumni Review. Archived from the original (PDF) on June xv, 2007. Retrieved December 7, 2006.
  93. ^ "Nina Simone". Stone & Roll Hall of Fame . Retrieved February seven, 2018.
  94. ^ "Nina Simone". GRAMMY.com. May 14, 2017. Retrieved February vii, 2018.
  95. ^ "2018 Stone and Roll Hall of Fame Inductees Revealed". Billboard.com. December 13, 2017. Retrieved August 27, 2018.
  96. ^ Ivie, Devon (March 31, 2018). "Howard Stern, Mary J. Blige Amongst Rock Hall Induction Presenters This Year". Vulture.com . Retrieved August 27, 2018.
  97. ^ Andrews, Travis G. (March 20, 2019). "Jay-Z, a speech past Sen. Robert F. Kennedy and 'Schoolhouse Stone!' among recordings deemed classics by Library of Congress". The Washington Mail service . Retrieved March 25, 2019.
  98. ^ Nicholson, Rebecca (February 12, 2011). "Anna Calvi: 'Without performing I'd exist a nervous wreck'". The Guardian. London, United kingdom of great britain and northern ireland.
  99. ^ Vineyard, Jennifer (2005). "Mary J. Wants To Bring Nina Simone Dorsum To Life". MTV . Retrieved August fourteen, 2007.
  100. ^ Fiore, Raymond. "Entertainment Weekly: Vii who influenced Alicia Keys' Life". Retrieved August 14, 2007.
  101. ^ Tranter, Kirsten (May 10, 2014). "Lolita in the 'hood". Retrieved June two, 2014.
  102. ^ a b "The Nina Simone Web: Influenced past Nina". Archived from the original on May 3, 2007. Retrieved August fourteen, 2007.
  103. ^ Stein, Joshua David (March 24, 2010). "Pressed for Time: The Ascent and Fall of Nina Simone". New York Press.
  104. ^ Obenson, Tambay A. (August 16, 2012). "Nina Simone'southward Daughter Finally Speaks: 'Projection Is Unauthorized; Simone Estate Not Consulted'". Indiewire Blogs: Shadow and Deed: On Cinema of the African Diaspora. Retrieved January xviii, 2012.
  105. ^ Vega, Tanzina (September 2, 2012). "Stir Builds Over Extra to Portray Nina Simone". The New York Times . Retrieved January 18, 2012.
  106. ^ "Casting the Role of Nina Simone". The New York Times. September ii, 2012. Retrieved January xviii, 2012.
  107. ^ Garcia, Marion (September 17, 2012). "Zoe Saldana, jugée trop claire pour interpréter Nina Simone". L'Limited (French). Retrieved Jan 18, 2012.
  108. ^ Alter, Rebecca (Baronial v, 2020). "Zoe Saldana Apologizes, for Real This Time, for Playing Nina Simone". Vulture . Retrieved November 5, 2020.
  109. ^ Tinubu, Aramide A. (June 23, 2015). "Review: 'What Happened, Miss Simone' Leaves Us Wondering What Happens When What Y'all Dear Most, Haunts You". Shadow & Act. Retrieved June 27, 2015.
  110. ^ "Oscars 2016 Nominations: Consummate List of Nominees". Eonline. Jan 14, 2016. Retrieved January fourteen, 2016.
  111. ^ "The Amazing Nina Simone - A Documentary Moving picture By Jeff 50. Lieberman". Amazingnina.com . Retrieved December 11, 2016.
  112. ^ Martinez, Vanessa (January 20, 2014). "Exclusive: 'The Amazing Nina Simone' Doc (Ft Siblings, Friends, Band Members) in Post-Production". Shadow & Act. Retrieved June 27, 2015.
  113. ^ DeFore, John (Oct fifteen, 2015). "'The Amazing Nina Simone': Film Review". The Hollywood Reporter.
  114. ^ Gardner, Lyn (Oct 19, 2016). "Nina review – searing tribute restarts Simone's revolution". The Guardian . Retrieved February 7, 2018.
  115. ^ Trueman, Matt (July 25, 2017). "Review: Nina (Young Vic)". WhatsOnStage.com . Retrieved February 7, 2018.
  116. ^ Hand, Monica (Feb 14, 2012). me and Nina. Alice James Books. ISBN978-1882295906.
  117. ^ Ellis, Warren (2021). Nina Simone's Mucilage: A Memoir of Things Lost and Establish. Faber & Faber. ISBN978-0571365623.
  118. ^ Grafe, Klaas-Jan (November 30, 2005). "Impressive Hommage to Nina Simone". 3voor12.vpro.nl. NPO. Retrieved October 26, 2014.
  119. ^ "2009 Inductees". N Carolina Music Hall of Fame. Retrieved September x, 2012.
  120. ^ "Commemorative Landscapes". DocSouth. University of Due north Carolina. March xix, 2010.
  121. ^ "Nina Simone, icône de la promotion 2021". industry.paliens.org (in French). December xix, 2017. Retrieved January 18, 2018.
  122. ^ Harwood, Erika (Dec xiii, 2017). "The Irony of Nina Simone Joining the Rock & Curl Hall of Fame". Vanity Off-white . Retrieved December 30, 2020.
  123. ^ "Homage to Nina Simone". BBC Radio 3. 2019. Retrieved Nov five, 2019.
  124. ^ Coombes, Coombes (August 23, 2019). "Mississippi Goddam: The 2019 Nina Simone Prom at the Royal Albert Hall". London Jazz News . Retrieved November 5, 2019.

Sources [edit]

  • Acker, Kerry (2004). Nina Simone. Introduction by Betty McCollum. Philadelphia: Chelsea Business firm. ISBN978-0-791-07456-5.
  • Brun-Lambert, David (October 2006) [2006]. Nina Simone, het tragische lot van een uitzonderlijke zangeres (in Dutch). Introduction by Lisa Celeste Stroud, afterword by Gerrit de Bruin. Zwolle: Sirene. ISBNninety-5831-425-1.
  • Cohodas, Nadine (2010). Princess Noire: The Tumultuous Reign of Nina Simone . New York: Pantheon Books. ISBN978-0-375-42401-4.
  • Elliott, Richard (2013). Nina Simone. Icons of Pop Music. Sheffield, UK: Equinox. ISBN978-1-845-53988-7.
  • Hampton, Sylvia; Nathan, David (2004) [2004]. Nina Simone: Break Downward and Allow Information technology All Out. Introduction by Lisa Celeste Stroud. London: Sanctuary. ISBNane-86074-552-0.
  • Calorie-free, Alan (2016). What Happened, Miss Simone?: A Biography. New York: Crown Archetype. ISBN978-1-101-90487-9.
  • Simone, Nina; Stephen Cleary (2003) [1992]. I Put a Spell on You. Introduction past Dave Marsh (2nd ed.). New York: Da Capo Press. ISBN0-306-80525-i.
  • Stroud, Andy (2005). Nina Simone, "Black is the Colour...": A book of rare photographs of adolescence, family and early on career with quotes in her own words. Introduction by Lisa Simone Kelly. Philadelphia: Xlibris. ISBN978-one-599-26670-1. [ cocky-published source ]
  • Todd, Traci Northward. (2021). Nina : a story of Nina Simone. New York: One thousand. P. Putnam's Sons. ISBN9781524737283.
  • Williams, Richard (2002). Nina Simone: Don't Allow Me Be Understood. Edinburgh: Canongate. ISBN978-1-841-95368-7.

External links [edit]

  • Official website
  • The Amazing Nina Simone: A Documentary Film
  • Nina Simone at IMDb
  • Nina Simone on Instagram
  • Nina Simone at Curlie
  • Shatz, Adam (March ten, 2016). "The Fierce Courage of Nina Simone". The New York Review of Books.

holmesdisteling.blogspot.com

Source: https://en.wikipedia.org/wiki/Nina_Simone

0 Response to "Falling in Love Again Free Piano Sheet Music by Nina Simone"

Enregistrer un commentaire

Inscription à : Publier les commentaires (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel